Jang’s canvases simultaneously house clashes and interactions between various and at times even incompatible faculties, such as ambiguous objects, flatness and depth, the rough texture of charcoal and the smoothness of wooden panel. The artist sensitively gazes upon her own anxiety and manifests it in cubic sensation. In fact, the most private portraiture of her internality in the paintings may be a point that we all share. We however easily neglect them, or fail to see them with earnestness. The internality that she paints, in effect, is at once a mental and imaginary scene and the internal landscape of her own body. Her personal issues reach and touch upon more universal contexts about our own kind’s internality and interior.